🎞 高级导演台：从小说到成片
导演台长在无限画布上，是站内的「项目模式」：你给它一篇小说，它把人物、场景、分镜全部拆好落在画布上，你逐镜把关、逐镜出片，最后合成整部短剧。只想快速出片的，先用「一键成片」；要逐镜精控的，看这一篇。
第 0 步：先有故事
- 有现成文本：直接把小说原文贴进导演台左栏（最长 20000 字）。
- 只有一个想法：用画布上的 AI 小说员——给它一句话想法（最多再加 3 张参考图），它先把故事写成篇，写完直接拆镜。
- 动笔前先立脊椎：谁想要什么、谁挡他的路、各自的底牌是什么——三句话说不清的故事，拆成镜头也立不住。导演台会把这条「故事脊椎」立在最前面，每一镜的动机都要落在具体动作里，因为视频模型只拍它看得见的表面，不会替你补因果。
例：一句话想法——「被退婚的女总裁在自己的订婚宴上，当众亮出隐藏三年的真实身份。」小说员会把它扩成有冲突、有反转的完整短篇，你再决定拆不拆。
第 1 步：AI 拆解（拆镜不扣点）
- 在左栏选好目标分镜数再点拆解——指定几镜就是几镜，节拍多了会自动并镜，台词一句不丢。
- 拆解产出三样东西：人物卡、场景卡、分镜节点，整齐落在画布上（点「🧭 整理布局」可一键排整齐）。
- 每句台词都被逐字钉在它该在的那一镜；碎句会并进相邻镜，但绝不删字。拆完先通读一遍分镜总览，确认剧情没走样再往下走。
- 编剧选择：普通题材用标准编剧；成人题材切到「成人编剧」——它能原样保留原文的尺度与台词，不会自作主张净化。
第 2 步：定妆——先把人和景定死
- 逐张检查人物卡：不满意就重新生成，或者上传你自己的图替换（点卡上换图，第一张直接替换本卡）。
- 全片画风必须统一：所有人物卡、场景卡用同一种画风出图，混着来成片就会像几部剧剪在一起。
- 出片时参考图的顺序是场景在前、人物在后，分镜词里用 @人物 / @场景 锚点指认（不要写「图 1 是谁」——编号对不上就会串脸）。
- 系统会给每镜加人物数量锚点：该出现几个人就几个，防复制人、防双胞胎。
第 3 步：逐镜出片
- 每镜时长按内容在 1–15 秒之间分配；整片按终点组织：每个终点是一次最长 30 秒的生成，超了自动分段、多终点可以并发（同一账号最多 4 条一起跑）。
- 每镜可选模型与声音开关；想让下一镜接得顺，打开承接——系统截上一镜尾帧当下一镜首帧。
- 单镜不满意就单镜重抽，不影响其他镜；生成失败不扣点。
- 压轴镜有语速保护：最后一镜的台词会被优先保住，不会被慢镜头挤掉。
第 4 步：合成导出
全部分镜就绪后，在导演台点合成：系统按顺序把各段拼成整片（每镜按你设定的时长掐尾对齐），成品进入我的作品，可预览、可下载。哪一段缺失，合成时会明确点名是哪一镜，不会蒙混过关。
新手策略：先跑通，再精修
- 第一部先做 30–60 秒、1 个主场景、1–2 个主角的小故事，把全流程走一遍。
- 剧本结构先接受 AI 的版本，只改影响剧情走向的关键句。
- 每个镜头只留一个主要动作（上一篇的铁律在这里同样管用）。
- 先得到一版完整成片，再回头单镜重抽不满意的地方——顺序反了最容易半途而废。
常见问题
拆出来的镜数和我要的不一样？
拆解时设定的分镜数是硬指标：多了并镜、台词全保留；原文节拍实在不够时不会硬凑空镜，页面会如实告诉你实际拆了几镜。
人物到中途变脸了？
十有八九是定妆环节混了画风、或者参考图没绑对。回第 2 步：全员统一画风、每镜绑同一套人物卡，出片前逐镜核对锚点。
合成时提示缺段？
缺的那一镜还没生成成功——回画布把那一镜补出来，再重新合成即可，其他镜不用重跑。
导演台项目存在服务端画布存档里，关掉页面、换台设备，回来还是你的项目现场。
🎞 Director Studio: From Novel to Film
The Director Studio lives on the Infinite Canvas — it's the site's “project mode”. Give it a novel and it lays out characters, scenes and shots on the canvas; you review shot by shot, render shot by shot, then merge everything into a finished short drama. In a hurry? One-Click Film is the fast lane. Want control over every cut? Read on.
Step 0: Start with a story
- You have text: paste the novel straight into the Director Studio's left panel (up to 20,000 characters).
- You have one line: use the AI Novelist on the canvas — give it a one-line idea (plus up to 3 reference images) and it writes the full story first, then breaks it into shots.
- Set the spine first: who wants what, who stands in their way, what is everyone hiding — if you can't say it in three lines, the shots won't hold up either. The Director Studio pins this “story spine” at the top, and every shot's motivation must land in a visible action, because a video model only films surfaces; it won't invent your causality.
Example one-liner: “A CEO whose engagement was just called off reveals, at her own engagement party, the identity she hid for three years.” The Novelist expands it into a complete short story with conflict and a twist — then you decide whether to break it down.
Step 1: AI breakdown (free — no points)
- Set the target shot count in the left panel, then break down — you get exactly that many shots. Extra beats are merged into neighbouring shots; not a single line of dialogue is dropped.
- The breakdown produces three things on the canvas: character cards, scene cards and shot nodes (the “🧭 Tidy Layout” button arranges them in one click).
- Every line of dialogue is pinned word-for-word to its shot; fragments are merged into adjacent shots, never deleted. Read through the shot overview and confirm the story survived before moving on.
- Writer choice: the standard writer for regular stories; switch to the adult writer for adult material — it preserves the original's register and dialogue instead of quietly sanitising it.
Step 2: Lock the look — people and places first
- Review each character card: regenerate what you don't like, or upload your own image to replace it (the first upload swaps straight onto that card).
- One art style for the whole film. Every character and scene card must come from the same style — mix styles and the final cut looks like several shows spliced together.
- Reference images are ordered scenes first, characters after, and shot prompts refer to them with @Character / @Scene anchors — never “image 1 is…”, because numbers drift and faces swap.
- Each shot carries a head-count anchor: exactly as many people as the shot calls for — no clones, no twins.
Step 3: Render shot by shot
- Each shot runs 1–15 seconds by content. The film is organised into endpoints: each endpoint is one generation of up to 30 seconds, longer films split automatically, and endpoints can run in parallel (up to 4 at once per account).
- Pick the model and sound toggle per shot. For seamless joins, enable chaining — the previous shot's last frame becomes the next shot's first frame.
- Re-roll a single shot without touching the rest; failed generations don't charge points.
- The finale is protected: the last shot's dialogue gets pacing priority, so a slow camera move can't squeeze it out.
Step 4: Merge and export
When every shot is ready, hit merge in the Director Studio: segments are joined in order (each trimmed to the length you set), and the finished film lands in My Works for preview and download. If a segment is missing, the merge names the exact shot — nothing slips through quietly.
Beginner strategy: finish first, polish second
- Make your first film small: 30–60 seconds, one main location, one or two leads, and walk the whole pipeline once.
- Accept the AI's script structure; only rewrite lines that change where the story goes.
- One main action per shot (the iron rule from the previous guide applies here too).
- Get a complete first cut, then go back and re-roll individual shots. Doing it the other way round is how projects die halfway.
FAQ
The breakdown gave me a different number of shots than I asked for?
The shot count you set is a hard target: extra beats get merged with all dialogue kept. If the source genuinely has fewer beats, it won't pad with empty shots — the page tells you honestly how many it made.
A character's face changes halfway through?
Almost always mixed art styles at the lock-in stage, or references bound to the wrong shot. Go back to Step 2: one style for everyone, the same card set on every shot, and check the anchors before rendering.
Merge says a segment is missing?
That shot hasn't rendered successfully yet — go back to the canvas, finish that one shot, and merge again. Nothing else needs to re-run.
Director projects live in the server-side canvas save: close the page, switch devices, and your set is exactly where you left it.